Initially, during the early development of Japanese painting, Chinese painting was a huge influence. It was after the 14th century that Japanese painting went a different direction. This difference became more pronounced when Japan separated herself from the rest of the world.
Japanese painting was more abstract and naturalistic than Chinese painting (varies depending on artist and subject). While Chinese painting is more decorative, Japanese painting was inclined towards focusing on the essentials and attempts to capture the basic forms and characteristics of the subject.
The Ukiyo-e style of painting was introduced to Westerners through woodcut prints in the 19th century. It uses very distinct and dramatic lines and colours.
Japanese artists' focus on natural forms in its decorative design and painting was important in the development of Art Nouveau style.
Japanese paintings and prints was a huge influence for quite a few European and American artists in the late 19th century.
James MacNeil Whistler and Edouard Manet were focused on the use of neutral backgrounds, unusual viewpoint and simplified forms.
Vincent van Gogh was drawn to the techniques and textures of Japanese woodcuts.
Japanese ink painting was appealing to watercolour artists like John Marin.
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